We are All Complicit: An Interview With Alan Moore
Once again, Morphizm fiends. Sorry for the silence of late, but I'm building a family and doctors need tests, mothers-to-be need rest and fathers-to-be have to keep the juggernaut on course. Speaking of juggernauts, scroll down for my earlier post on the early success of Alan Moore and Melinda Gebbie's revisionist, intertextual pornography tome Lost Girls if you need some background on it. If not, brace yourself for this extensive interview with none other than the man himself on sex, death, war and fiction in our metafictional new millennium. I'm wasting time already:We are All Complicit: An Interview With Alan Moore
"I wouldn't want to claim for a moment that there was any sexual intention in any of the original books. But I would also like to say that yes, there is a lot of rich material in those books, and that they do provoke a sexual reading. I think that perhaps Wizard of Oz is the most innocent of the three of them. If L. Frank Baum was talking about anything, he was probably spinning some complex political allegory, the details of which are most likely remote and irrelevant to us today. With Alice, there is some slightly more sexual imagery creeping in there, and of course there has always been a question mark hanging over Lewis Carroll." MORE










































































1 Comments:
It sure is interesting how you watch something a million times and love it as a kid, and then you grow up and read about hidden imagery and stuff and it scares the creeps out of you!
Matt
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